— Mina Bach

Archive
Illustration

Hope you’re well and enjoying the sun. I’m making the most of my holidays working on typesetting, layouts and picture ebooks (exciting stuff) at Beautiful Books, having picnics, long walks and going to the market and even visiting the BBC to be in the audience of channel 4 10 o’clock live (David Mitchell, man of my dreams). And writing my dissertation proposal of course. Or at least trying to.

Anyway, I just sent out my submission to the Versus playing cards collective project. After much debate, I chose to illustrate the Jack starting with a special one, Jackie O(f) Hearts. The set is completed by Jackie Chan, Jack Nicholson and Jack Daniels.

I hope she’s not too hard to recognise as I messed a bit too much with her features. The cars may well be in bad taste but hey, that’s how I roll…

JackieofHearts-by-Mina-Bach

Feedback always welcome!

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Latest for Amelia’s Magazine, a series to illustrate Hannah Bullivant‘s interview with Alina Raetsep, Editor in Chief of ethical fashion magazine SIX Magazine. Read it in full HERE and while you’re at it check out Hannah’s amazing blog Seeds & Stitches (love her posts on jam making and swedish clogs!).

For the illustrations I wanted to go with SIX Magazine’s Manifesto:

Slow Fashion:

Six-Magazine-Slow-Fashion-by-Mina-Bach

Respect for the clothes and those who make them:

Six-Magazine-Respect-for-those-who-create-them-by-Mina-Bach

A return to Individuality:

Six-Magazine-Return-to-individuality-by-Mina-Bach

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Happy as Larry today! The sun is out, my £4.99 pink BBQ arrived in the post and, perhaps more importantly, I had my final assessment at Uni yesterday. All good I’m very happy with my project and my perspex laser cut type blocks, I even made a video for my presentation. I’ll post about it properly soon but here’s a sneak peek for now:

TypeBlock

My latest illustration for Amelia’s Magazine, an interview with folk singer Alessi’s Ark by the great Hels Martin read it in full here. I wanted a different approach for this one, listening to Alessi’s songs and just letting go. I tried to encapsulate her fantasy world featuring some elements from the lyrics and a playful child-of-the-80s palette. You be the judge:

Alessis-Ark-by-Mina-Bach

Also my ‘You are not alone Japan’ illustration has recently been featured in Illustration Rally here and Japan based sewing machine company Janome’s blog here (thank you for contacting me Debbie!).

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Hello sunny Monday!

Hope you’ve had a good week, it’s been all work work work here as final deadline for uni is fast approaching (a week tomorrow! eek!), catalogue and book cover are almost ready at work (looking soo good) and have a couple competitions on the go due this week.

I somehow made the time to attend the Designing the Decades study day at the V&A on the 1950s. An all-day event on art & design history of my favourite decade! Really enjoyed a full on day of talks and discussions with speakers such as V&A curator Lily Crowther on the Festival of Britain that celebrates its 60th anniversary this summer, author and lecturer Dr David Heathcote  (of BBC fame) on Architecture and Urban planning, Geffrye Museum director Christine Lalumia on Furniture and Interiors, design historian and author Lesley Jackson on Robin and Lucienne Day and author and lecturer Dr Christine Boydell on The New Look and Horrockses Fashions. Filled a crazy 54 pages on my sketchbook with the new palette of radical colours, the brave new ideas for the future and the importance of European emigrant designers after the war. The 1950s were a time for optimism and rebuilding all aspects of design from the ruins but also a time for over-thinking and hard work. Not forgetting it was also a time of great social contradictions, sexism and injustice to minorities, the decade is a great source of inspiration for me in my everyday life. Beyond the pretty dresses and perfect hair I’m interested in the passion and determination to design a new and better world for everyone regardless of class, the profound understanding of materials and design processes and the meticulous attention to detail and love of typography. The want and drive to improve with limited resources available is very inspiring from clever use of cheap materials to a boy picking up a guitar and creating a new sound.

Before I forget, I wanted to share my latest illustration for Amelia’s magazine an art review by Jessica Furseth on Edwina Ashton‘s performance at Jerwood Space. It involves Edwina dressed as a lobster moving things around in the gallery. Wait, does it? Mmm… Jess’ words always far better than mine read The Lobster Within in full here.

Edwina-Ashton-Lobster-by-Mina-Bach

After the Lobster Lady I was in the mood for more Lobster fun (ie. Procrastinating with a capital P) so I played around a bit and came up with this pattern:

Lobster Pattern by Mina Bach

All the summery colours and motifs made me think it could work for a beach towel maybe? parasol? swimwear? Which prompted me to look up flights to Cuba, Croatia, Australia… PROCRASTINATION. Ok, I’m off to work. No, really.

Lobster Pattern by Mina Bach

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I was very lucky to have a feature on Illustration Rally this week complete with a review and interview, I’m honoured to be IR’s Artist #75 and very thankful for all the kind words about my work :

‘Infinitely saleable and definitely one of the most influential modern looks in illustration, Mina has managed to elevate her work with her careful choice of palette and thoughtful use of bold stylish lettering that avoids the popular skinny hand drawn fonts and draws you back to a more classic style of retro, more Mad Men than vintage folksy she takes the initiative by using a very seventies punk style to explore early twentieth century imagery.’

Ah! I’m blushing! Read the rest here.

Illustration-Rally-Feature-Mina-Bach

I also made these two portraits for the rally this month on ideal dinner party guests. It’s a great theme and I’m thinking of carrying on the series with others like Tura Satana, Marlon Brando,  Michael Caine, Lucienne Day, Eric Gill, Barbara Cartland… for the time being welcome to the table Nick Cave and David Lynch:

Come-Dine-with-Nick-Cave-by-Mina-Bach

David-Lynch-by-Mina-Bach

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I can’t believe it’s already Friday. This week I have been mostly working on freelance and uni projects but I also made the time to attend the Saul Bass film poster exhibition at the Kemistry Gallery (‘Design is thought made visual!’), the ‘Book in Context’ Book Arts & Design 3rd years show at LCC that made me very proud to be in my course and sadly had to say goodbye to a friend who’s going back to Sweden with an epic Tropicana farewell party. I also got potentially good news so please cross your fingers for me, if it all goes well I will let you know next week.

I also got some work for Amelia’s Magazine this week. First up this article by Jess Furseth on Sideshow Stories, Jason Butler‘s drawings and Will Burns‘ poems exhibition part of the YARNfest storytelling festival. I’ve always had a massive interest in Freakshows, read many books and seen films and documentaries and still find it hard to explain the fascination. Jess’ words are far more eloquent than mine: ‘Maybe we like seeing the grotesque because it takes us out of ourselves for a moment, or it could be we just like feeling shudders down our backs. Or maybe it’s because in the midst of the strangeness, strong or subtle, there is something almost beautiful.’ Read it in full here. I wanted to recreate the feel of freak show signage without making an exact replica. Here’s some initial sketches from my sketchbook:

Sideshow-Sketchbook-by-Mina-Bach

And the final illo, all paper, glue and coloured pencil:

Sideshow-by-Mina-Bach

I really enjoyed the whole process and I think I will be exploring the possibilities maybe on a larger scale and different materials (wood? laser-cut coloured perspex?…) I’m excited already!

More hand-lettering work to illustrate Sally Mumby-Croft’s interview with Chad Valley read the article online here. I made a digital collage using some of his pictures and added lyrics to his song ‘Up and Down’ using the positioning to play with the duplicity of the story.

Chad-Valley-by-Mina-Bach

Ps. You can still vote for my Norwegian Wood poster HERE. I’m currently #18 out of 202 which is absolutely amazing but I still need a few more votes to make it into the Top 10 and have a chance to display the poster in central London. Thank you!

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Hope everyone had a good Valentine’s and for those who don’t celebrate, hope you managed to avoid it successfully. I had a lovely day in any case that ended in my new favourite restaurant that serve the biggest portions you’ve ever seen in your life (reason why it’s my favourite, eh) so woke up this morning feeling rather unwell. Food hungover.

Anyway I wanted to thank Illustration Rally for including me in their Valentine’s Day Rally yesterday. I really enjoyed going through all the entries and the different views on this love-it-or-hate-it day. Here’s the post with my work

Illustration-Rally-Valentines-Mina-Bach

Also in Illustration Rally, this piece I made for Jess Furseth‘s article for Amelia’s ‘The reluctant Valentiner’ read it online here. Jess wanted a dark take on Valentine’s for this one and we agreed to go with mexican sugar skulls for initial reference. This is the final piece:

Be-Mine-Valentines-by-Mina-Bach

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